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Shirley Smith papers

Overview

Scope and Contents

Biographical Note

Administrative Information

Detailed Description

Correspondence

Early Life and Personal

Acting Career

Art Career

Literary Works

Photographs

Printed Material

Digital Media

Oversize

Newspaper advertisements for Helzberg's Diamonds



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Shirley Smith papers, 1937-2011 | Morse Department of Special Collections

By Haley Claxton

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Collection Overview

Title: Shirley Smith papers, 1937-2011Add to your cart.

Primary Creator: Smith, Shirley (1937-2011)

Extent: 9.0 Linear Feet

Arrangement:

Series 1 (Box 1) contains correspondence from throughout Smith’s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith’s work.

Series 2 (Box 2) contains personal documents chronicling Smith’s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith’s acting and modeling careers.

Series 3 (Box 2) contains playbills and clippings regarding Smith’s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).

Series 4 (Box 3) contains not only influences and inspirations for Smith’s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.

Series 5 (Box 4 through 6) contains Ms. Smith’s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith’s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith’s memoirs (entitled I’m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled “The Undertaker’s Daughter,” are contained in box 6.

Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith’s life.  Box 7 contains photographs from Smith’s early life in Whitewater, Kansas and at Kansas State.  Following these are photographs from Smith’s modeling and acting career, including various head shots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith’s most influential models for art).

Series 7 (Box 10) contains printed materials in three sections, “Musical Scores,” “Modeling Advertisements,” and “Art Exhibition Booklets.”

Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith’s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called “A Pig’s Life,” and a retrospective DVD of photographs of Smith’s life and works.

Series 9 (Boxes 12 through 17 and one flat drawer case) include largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later “figurative painting” farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of earlier art work, including Smith’s “Lyrical Abstraction” Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art related media, including paint pallets and figure sketches. Box 17 includes items related to the  “Shirley Smith: A Retrospective” Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the “I Love Pigs” installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star.

Date Acquired: 00/00/2014

Scope and Contents of the Materials

The Shirley Smith Papers (1937-2011) include a wide array of varying fields and topics following the life and career of Shirley Smith. Growing up in rural Kansas and graduating from Kansas State College in 1951, Smith moved to New York City to begin her career as a model, then Broadway actress. In the early 1960s, Smith began to lose her hearing and focused her talents instead on an art career, which she continued for over 50 years. Much of her artwork hearkens back to Kansas roots, while other pieces are considered within the lyrical abstraction art movement of the late 1960s and early 1970s.

The collection includes 17 boxes and one folder stored in a flat drawer case comprising 9 linear feet. It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize.

Biographical Note

The Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith’s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include regional and biographical history of Smith’s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith’s career as a model, actress, and artist.

Shirley Smith was born in Whitewater, Kansas in 1929. By the time she  graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.

After graduating, Smith began her modeling career by modeling in advertisements for Kansas City’s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (“Alibi Me”). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.

In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career.  Beginning with collages and other forms of abstract art, Smith moved on to “lyrical abstraction,” a form of post-modern art, which included fabrics and various other mediums.  Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work.

Administrative Information

Repository: Morse Department of Special Collections

Access Restrictions: No restrictions

Use Restrictions: The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.

Acquisition Source: Scott Smith, nephew

Acquisition Method: Donation

Preferred Citation: [Item title], [item date], The Shirley Smith Papers, Box [number], Folder [number or title], Morse Department of Special Collections, Kansas State University Libraries.

Processing Information: The collection was processed by student assistant and History major, Haley Claxton, in 2014


Box and Folder Listing


Browse by Series:

[Series 1: Correspondence],
[Series 2: Early Life and Personal],
[Series 3: Acting Career],
[Series 4: Art Career],
[Series 5: Literary Works],
[Series 6: Photographs],
[Series 7: Printed Material],
[Series 8: Digital Media],
[Series 9: Oversize],
[Drawer 6: Newspaper advertisements for Helzberg's Diamonds],
[All]

Drawer 6: Newspaper advertisements for Helzberg's DiamondsAdd to your cart.

“Why take chances?” Kansas City Star, January 11, 1952

“How to buy a diamond at Helzberg’s,” Kansas City Star, March 14, 1952

“No Strings Attached,” Kansas City Star, March 28, 1952

“Helzberg’s comes through.” Kansas City Star, November 30, 1952

“Up a tree about Christmas gifts?...” circa December 1952


Browse by Series:

[Series 1: Correspondence],
[Series 2: Early Life and Personal],
[Series 3: Acting Career],
[Series 4: Art Career],
[Series 5: Literary Works],
[Series 6: Photographs],
[Series 7: Printed Material],
[Series 8: Digital Media],
[Series 9: Oversize],
[Drawer 6: Newspaper advertisements for Helzberg's Diamonds],
[All]


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