Unless otherwise noted, the following titles are gifts to the Richard L. D. & Marjorie J. Morse Department of Special Collections by Dr. James Marsden, Distinguished University Professor in the Department of Animal Science and Industry at Kansas State University.

Information within brackets {} indicates that it is in handwritten form or a signature. The series and number designation refers to the entry in Bibliography of the Fine Books Published by the Limited Editions Club: 1929-1985 (New York: Limited Editions Club), 1985.

The Limited Editions Club Titles

Addison, Joseph, Richard Steele, et al. The Spectator: Essays by Joseph Addison, Richard Steele and Others (London: LEC), 1970. Selected, edited, and introduced by Robert Halsband. Illustrated by Lynton Lamb. #1104/1500
(Series 38, No. 430)
Spec / PS 3302 / .A25 / F70 / 1970
Colophon: "This edition of sixty-five essays from The Spectator, numbering fifteen hundred copies, has been prepared for the members of The Limited Editions Club. The format has been planned by John Miles, and the text printed in London at The Curwen Press. The illustrations were drawn by Lynton Lamb and hand-colored in New York at the studio of Walter Fischer. This is copy number {1004} and it is signed by the artist {Lynton Lamb}"

Æschylus. The Oresteia [Agamemnon; The Libation-Bearers; The Furies] (New York: LEC), 1961. Translated from the Greek by E. D. A. Morshead. Introduction by Rex Warner. Illustrated by Michael Ayrton. #1010/1500
Spec Folio / PA 3827 / .A7 / M7 / 1961
(Series 30, No. 328)
Colophon: "Fifteen hundred copies of this edition of the Oresteian trilogy of Aeschylus have been prepared for the members of The Limited Editions Club. The format has been planned by Adrian Wilson, and the text printed by A. Colish in Mount Vernon, New York. The paintings by Michael Ayrton have been reproduced by the Photogravure and Color Company in New York. This is copy number {1010} and is here signed by the artist {Michael Ayrton}"

Æschylus. Prometheus Bound (New York: LEC), 1965. Translated from the Greek by Rex Warner. Bound with Percy Bysshe Shelley, Prometheus Unbound. Preface by Rex Warner. Illustrated by John Farleigh. #691/1500
(Series 33, No. 370)
Spec / PA 3827 / .P8 / W3 / 1965
Colophon: "Of this edition of the Prometheus plays of Æschylus and Shelley, fifteen hundred copies have been made for the members of The Limited Editions Club at the ancient printing-house of Joh. Enschedé en Zonen in Haarlem, Holland. The illustrations have been drawn by hand by John Farleigh. This is copy number {691}"

Alarcón, Pedro Antonio De. The Three Cornered Hat (Los Angeles: LEC), 1959. Translated by Martin Armstrong. Introduction by Gerald Brenan. Illustrated by Roger Duvoisin. #390/1500
(Series 28, No.305)
Spec / PQ 6502 / .S7 / E5 / 1959
Colophon: "Of this edition of The Three-Cornered Hat fifteen hundred copies have been made for the members of The Limited Editions Club by Saul & Lillian Marks at The Plantin Press, Los Angeles. The illustrations have been drawn by Roger Duvoisin, who here signs {Roger Duvoisin} this copy, which is number {390}"

Alcott, Louisa May. Little Women; or, Meg, Jo, Beth, and Amy (New York: LEC), 1967. Introduction by Edward Weeks. Illustrated by Henry C. Pitz. #1004/1500
(Series 36, No. 396)
Spec / PS 1017 / .L5 / 1967
Colophon: "This edition of Little Women consists of fifteen hundred copies printed in New York by Clarke & Way, Inc. for the members of The Limited Editions Club. The format was planned by Bert Clarke and the illustrations were made by Henry C. Pitz. This copy is number {1004} signed by {Henry C. Pitz}"

All Men are Brothers (Shui Hu Chuan) (New York: LEC), 1948. 2 vols. in Japanese bindings Translated by Pearl S. Buck. Illustrated by Miguel Covarrubias. #652/1500
(Series 18, No. 191)
Spec Folio / PL 2694 / .S5 / E5 / 1948 / vol. 1-2
Colophon: "Of this edition of All Men Are Brothers fifteen hundred copies have been made for the members of The Limited Editions Club. The composition of the text has been done by Robert Dothard at the shop of E. L. Hildreth & Company and the printing has been done by The Stratford Press. The typography has been planned by Glenn Foss and the calligraphic titles written by Jeanyee Wong. The plates for the illustrations were made by Pioneer-Moss and printed by The Aldus Printers, the colors being applied by hand in the studio of Paul Baruch. The paper was especially made by the Worthy Paper Company and the volumes bound by Frank Fortney. The illustrations were drawn by Miguel Covarrubias who here signs {Miguel Covarrubias} this copy, which is number {652}"

Allen, Hervey. Anthony Adverse (Mount Vernon: LEC), 1937. 3 vols. With a new introduction by the author. Illustrations by Edward A. Wilson. #652/1500 Artist's Note laid into back of vol. 3.
(Series 9, No. 94)
Spec / PS 3501 / .L5 / A8 /1937 / vol. 1-3
Colophon: "Of this edition of Anthony Adverse, fifteen hundred copies have been printed for the members of The Limited Editions Club by Peter Beilenson at the Walpole Printing Office, the illustrations having been drawn by Edward A. Wilson, who here signs {EAWilson} This copy is number {652}"

Aristophanes. The Birds (New York: LEC), 1959. Introduction by Dudley Fitts. Illustrated by Marian Parry. #1004/1500
(Series 28, No. 299)
Spec /PA 3877 / .A8 / 1959
Colophon: "Of this edition of The Birds fifteen hundred copies have been made for the members of The Limited Editions Club by Clarke & Way, Inc. at The Thistle Press, New York. The entire edition has been planned and put into color by Bert Clarke. The illustrations have been drawn by Marian Parry who here signs {Marian Parry} this copy, which is number {1004}"

Aristophanes. The Frogs (Haarlem, Holland: LEC), 1937. Translated from the Greek by William James Hickie. Introduction by Gilbert Seldes. Illustrated by John Austen. #652/1500
(Series 8, No. 85)
Spec / PA 3875 / .R3 / 1937
Colophon: "Of this edition of The Frogs fifteen hundred copies have been printed for the members of The Limited Editions Club at the printing office of Joh. Ensched‚ en Zonen in Haarlem, Holland, the illustrations having been cut in wood by John Austen, who here signs {John Austen} This copy is number 652"

Augustine, Saint, Bishop of Hippo. The Confessions of St. Augustine (Ipswich: LEC), 1962. Translated from the Latin by J. G. Pilkington. Introduction by George N. Shuster. Illustrated by Edy Legrand. #1004/1500
(Series 30, No. 335)
Spec / BR 65 / .A6 / E5 / 1962
Colophon: "Of this edition of The Confessions of St Augustine fifteen hundred copies have been printed by W. S. Cowell Ltd, Ipswich, England for the members of The Limited Editions Club of New York. The illustrations have been painted by Edy Legrand, who signs here {Edy Legrand} this copy number {1004}"

Austen, Jane. Pride and Prejudice (Boston: LEC), 1940. Preface by Frank Swinnerton. Illustrated by Helen Sewell. #652/1500
(Series 10, No. 115)
Spec / PR 4034 / .P7 / 1940 / c. 2
Colophon: "Of this edition of "Pride and Prejudice" fifteen hundred copies have been made for the Members of the Limited Editions Club by D. B. Updike, The Merrymount Press, Boston, the Illustrations being drawn by Helen Sewell who signs here {Henry Sewell} this Copy, which is Number {652}"

Bedier, Joseph. The Romance of Tristan & Iseult: As Retold by Joseph B‚dier (New York: LEC), 1960. Translated from the French by Hilaire Belloc and Paul Rosenfeld. Introduction by Padraic Colum. Illustrated by Serge Ivanoff. #652/1500
(Series 29, No. 316)
Spec / PQ 1542 / .E5 / B5 / 1960
Colophon: "This edition of The Romance of Tristan & Iseult, consisting of fifteen hundred copies made for the members of The Limited Editions Club, has been designed by Adrian Wilson. The text has been composed and printed by Clarke and Way at The Thistle Press in New York. The illustrations have been reproduced and printed in Bloomfield, Connecticut, by Kellogg & Bulkeley. They were painted by Serge Ivanoff, who here signs {Serge Ivanoff} this copy, which is number {652}"

Bellamy, Edward. Looking Backward (Hollywood: LEC), 1941. Illustrated by Elise [Cavanna]. # 652/1500
(Series 12, No. 126)
Spec / HX 811 / 1887 / .B334 / 1941
Colophon: "Fifteen hundred copies of this edition of Looking Backward have been made by Merle Armitage in Hollywood, for the members of The Limited Editions Club, with drawings by Elise. The book has been printed by The Ward Ritchie Press. This copy is Number {652} and it is signed by the Artist: {Elise}"

Benét, Stephen Vincent. John Brown's Body: A Poem (New York: LEC), 1948. Introduction by Douglas Southall Freeman. Illustrated by John Steuart Curry. #510/1500
(Series 18, No. 192)
Spec Folio / PS 3503 / .E5325 / J6 / 1948
Colophon: "Of this edition of John Brown's Body fifteen hundred copies have been made for the members of The Limited Editions Club of New York under the supervision of Sir Francis Meynell, R.D.I., who has planned it typographically and supplied the shoulder notes in which the various themes of the poem have been identified. The composition was done by the Curwen Press in London. The text was printed by William E. Rudge's Sons in New York. The illustrations are the last work of the late John Steuart Curry and have been printed in color by Fretz Frères in Zürich, Switzerland. This copy is number {510}"

Bennett, Arnold. The Old Wives' Tale (Oxford: LEC), 1941. 2 vols. Introduction by Frank Swinnerton. Preface by Arnold Bennett. Illustrated by John Austen. #652/1500
(Series 13, No. 130)
Spec Folio / PR 6003 / .E6 / O4 / 1941 / v. 1-2
Colophon: "Fifteen hundred copies of this edition of The Old Wives' Tale have been printed for the members of The Limited Editions Club by John Johnson printer to the University of Oxford This copy is number {652} The illustrations have been drawn by John Austen who here signs {John Austen}."

Beowulf (New York: LEC), 1952. Translated by William Ellery Leonard. Illustrated by Lynd Ward. #1362/1500
(Series 21, No. 225)
Spec Folio / PR 1583 / .L4 / 1952
Colophon: "Of this edition of Beowulf fifteen hundred copies have been made for the members of The Limited Editions Club at The Gallery Press in New York, the edition having been planned by Eugene M. Ettenberg; the lithographs were hand-drawn by Lynd Ward and printed by the Duenewald Printing Corporation. This is copy number 1362."

Bhagavad Gita: The Song Celestial (Bombay: LEC), 1964. The Sanskrit text translated into English Verse by Sir Edwin Arnold. Introduction by Shri Sri Prakasa. Illustrated by Y. G. Srimati. #103/1500
(Series 33, No. 369)
Spec / BL 1138.62 / .E5 / 1964
Colophon: "Of this edition of the Bhagavad Gita illustrated by Y. G. Srimati fifteen hundred copies have been made for the members of The Limited Editions Club by the Commercial Printing Press, Ltd. In Bombay, India under the supervision of S. Ramu. This is copy number {103} and signed by {Y. G. Srimati.}"

The Book of Proverbs from the Authorized King James Version (New York: LEC), 1963. Introduction by Robert Gordis. Illustrated by Valenti Angleo. #103/1500
(Series 32, No. 352)
Spec / BS 1463 / .G6 / 1963
Colophon: "For this edition of The Book of Proverbs the translation has been taken from that of the Holy Bible prepared at the command of King James I of England and first set forth in the year 1611. The book was decorated by Valenti Angelo, who set the text by hand. It has been printed for the members of The Limited Editions Club by Clarke and Way at The Thistle Press in New York. The edition consists of fifteen hundred copies of which this is number {103} and it is signed by the artist {Valenti Angelo}"

Brooks, Van Wyck. The Flowering of New England (Boston: LEC), 1941. Introduction by M. A. DeWolfe Howe. Illustrated by R. J. Holden. #652/1500 (Signed by author on half-title page.)
(Series 12, No. 121)
Spec / PS 243 / .B7 / 1941
Colophon: "The Flowering of New England was awarded The Limited Edition Club's Gold Medal in November, 1938. This edition was prepared for the members of the Club by D. B. Updike, The Merrymount Press, Boston. The edition consists of fifteen hundred numbered copies. The illustrations were made by Ray J. Holden, who here signs {Ray J. Holden} This is copy no. {652}"

Browning, Robert. The Ring and The Book (Los Angeles: LEC), 1949. 2 vols. Introduction by Edward Dowden. Illustrated by Carl Schultheiss. #652/1500
(Series 18, No. 194)
Spec / PR 4219 / .A2 / D6 / 1949 / vol. 1-2
Colophon: "Of this edition of The Ring and the Book fifteen hundred copies have been made for the members of The Limited Editions Club at the Plantin Press, Los Angeles. The illustrations having been engraved in copper by Carl Schultheiss who here signs {Carl M. Schultheiss} This copy which is number {652}"

Bulwer-Lytton, Edward George. The Last Days of Pompeii (Verona, Italy: LEC), 1956. Introduction by Edgar Johnson. Illustrations by Kurt Craemer. #77/1500
(Series 25, No. 270)
Spec / PR 4912 / .A1 / 1956
Colophon: "Of this edition of "The Last Days of Pompeii" fifteen hundred copies have been made for the members of The Limited Editions Club by Giovanni Mardersteig at the Officina Bodoni in Verona, the illustrations having been cut by Kurt Craemer. This copy is number 77 and it is signed by the printer and the illustrator {G Mardersteig K. Craemer}"

Burton, Richard F. The Book of The Thousand Nights and a Night (New York: LEC), 1934. 6 vols. Illustrated by Balenti Angelo. #344/1500
(Series 6, No. 59)
Spec / PJ 7715 / .B8 / 1934 / vol. 1-6
Colophon: "The Maker of the Pictures Valenti Angelo. The Printer of the Pages The Printing House of William Edwin Rudge. The Merchants of the Paper Whitehead and Alliger. The Binder of the Volumes The Estate of H. Wolff. The General Editor of the Text Emile Van Vliet. The Designer of the Edition George Macy. Fifteen hundred copies are made for the members of The Limited Editions Club, this copy being number {344} and signed by {Valenti Angelo}"

Cable, George Washington. Old Creole Days together with The Scenes of Cable's Romances by Lafcadio Hearn (New York: LEC), 1943. Prologue by Edward Larocque Tinker. Illustrated by John O'Hara Cosgrave II. #652 [limit not stated]
(Series 14, No. 150)
Spec / PS 1244 / .O6 / 1943
Colophon: "The making of this edition of Old Creole Days was first suggested to the Directors of The Limited Editions Club by Edward Larocque Tinker. This edition has been prepared for the members of The Limited Editions Club. The text has been assembled by Mr. Tinker. The illustrations have been made in New Orleans by John O'Hara Cosgrave II. The book has been designed by A. G. Hoffman, and printed by American Book--Stratford Press in New York. This copy is number {652} and it is signed by {John O'Hara Cosgrave II}"

Caesar, Julius. The Gallic Wars (Verona: LEC), 1954. Translated from the Latin by John Mason Brown. Introduction by John Mason Brown. Illustrated by Bruno Bramanti. #652/1500
(Series 23, No. 249)
Spec / DC 62 / .C2 / W37 / 1954
Colophon: "Of this edition of The Gallic Wars fifteen hundred copies have been made for the members of The Limited Editions Club by Giovanni Mardersteig at the Officina Bodoni in Verona, the illustrations having been engraved in wood by Bruno Bramanti. This is copy number 652 and it is here signed by the printer and the illustrator {G Mardersteig} {Bruno Bramanti}"

Carson, Rachel L. The Sea Around Us (New York: LEC), 1980. Introduction by Maitland A. Edey. Illustrated with color photographs by Alfred Eisenstaedt. #13/2000
(Series 45, No. 515)
Spec / GC 21 / .C3 / 1980
Colophon: "Of this edition of The Sea Around Us two thousand copies have been printed for the members of The Limited Editions Club. The format has been planned by Philip Grushkin. The composition was performed in Boston, Massachusetts, by the Crimson Printing Company, and the photographs were reproduced in Princeton, New Jersey, at the Princeton Polychrome Press. The color photography is by Alfred Eisenstaedt. This copy, number {13} is here signed by the photographed {Eisenstaedt}"

Cather, Willa. A Lost Lady (New York: LEC), 1983. Illustrated by William Bailey. Introduction by John Hollander. #838/1500
(Series 47, No. 536)
Spec / PS 3505 / .A87 / L6 / 1983
Colophon: "Fifteen hundred copies of A Lost Lady have been printed for the members of The Limited Editions Club. The book was designed by Ben Shiff. The text was composed in Linotype Caslon Old Face and printed on a cream white Mohawk letterpress paper by The Anthoensen Press, Portland, Maine. The frontispiece, an original etching, was printed by Bruce Chandler at The Heron Press on Somerset soft-white. The book has been bound in burgundy aniline leather with cloth boards by Robert Burlen & Son, Hingham, Massachusetts. copy number {838} {William Bailey}"

Chaucer, Geoffrey. The Canterbury Tales (New York: LEC), 1946. Translated into modern English verse by Frank Ernest Hill. Illustrated by Arthur Szyk. #652/1500
(Series 17, No. 175)
Spec / PR 1870 / .A1 / H55 / 1946
Colophon: "Of this edition of The Canterbury Tales fifteen hundred copies have been made for the members of The Limited Editions Club. The edition has been planned by George Macy and printed by E. L. Hildreth & Co. The plates of the illustrations by Arthur Szyk have been engraved by Pioneer-Moss. The paper has been fabricated by the Worthy Paper Company and the binding has been performed by Russell-Rutter. This is copy {652} and it is signed by the illustrator {Arthur Szyk.}"

Chekhov, Anton. The Short Stories of Anton Chekhov (Avon, CT: LEC), 1973. Selected and introduced by Helen Muchnic. Illustrated by Lajos Szalay. #1004/2000
(Series 41, No. 466)
Spec / PG 3456 / .A15 / M83 / 1973
Colophon: "Lajos Szalay drew the illustrations which appear in this volume, a special collection of The Short Stories of Anton Chekhov made for the two thousand members of The Limited Editions Club. The format was designed by Bert Clarke and the printing performed in Mount Vernon, New York, at the Press of A. Colish, Ind. This is copy {1004} and it is signed by the artist {Lajos Szalay}"

Chekhov, Anton. Two Plays of Anton Checkhov: The Cherry Orchard [and] Three Sisters (New York: LEC), 1966. Introduction by John Gielgud. Illustrated by Lajos Szalay. #1004/1500
(Series 34, No. 385)
Spec / PG 3456 / .V5 / G3 / 1966b
Colophon: "This edition of Two Plays of Anton Checkhov numbering fifteen hundred copies has been made for The Limited Editions Club at the Thistle Press in New York from the Typographic plan of Bert Clarke. The illustrations have been made by Lajos Szalay, who here signs {Lajos Szalay} this copy number {1004}"

The Chronicle of the Cid (Haarlem: LEC), 1958. Translated from the Spanish by Robert Southey. Introduction by U. S. Pritchett. Illustrated by Ren‚ ben Sussan. #390/1500
(Series 26, No. 289)
Spec / PQ 6367 / .E2 / S7 / 1958b
Colophon: "Of this edition of Robert Southey's version of The Chronicle of the Cid fifteen hundred copies have been made for the members of The Limited Editions Club. The book having been planned in Paris and the illustrations drawn there by Ren‚ ben Sussan. The composition and printing of the text have been done by Joh. Ensched‚ en Zonen in Haarlem. The paper is by Cartiere Enrico Magnani, Pescia (Pistoia), Italy. This is copy number 390 and it is signed by {Ben Sussan}"

Coleridge, Samuel Taylor. The Rime of the Ancient Mariner (New York: LEC),1945. Illustrated by Edward A. Wilson. Introduction by John Livingston Lowes. #139/1500
(Series 16, No. 170)
Spec / PR 4479 / .A1 / 1945
Colophon: "Of this edition of "The Rime of the Ancient Mariner," fifteen hundred copies have been made for the members of The Limited Editions Club. The edition was designed by Carl Purington Rollins, the text was printed at the printing-office of the Yale University Press, and the illustrations were hand-colored from the designs of Edward A. Wilson. This copy is number {139} signed by the illustrator {E A Wilson}"

Confucius. The Analects of Confucius (New York: LEC), 1970. Translated from the Chinese and with an introduction by Lionel Giles. Illustrated by Tseng Yu-Ho. #1004/1500
(Series 38, No. 428)
Spec / PL 2478 / .L3 / 1970
Colophon: "Of this edition of The Analects of Confucius fifteen hundred copies have been printed for the members of The Limited Editions Club by Saul & Lillian Marks at the Plantin Press, Los Angeles. The illustrations were painted by Tseng Yu-Ho. This is copy number {1004} and is here signed by the illustrator {Tseng Yu-Ho [in Chinese]}"

Congreve, William. The Way of the World (New York: LEC), 1959. Illustrated by T. M. Cleland. Introduction by Louis Kronenberger. #390/1500
(Series 27, No. 301)
Spec / PR 3364 / .W3 / 1959
Colophon: "This edition of The Way of the World has been designed and illustrated by T. M. Cleland for the members of The Limited Editions Club. The text has been composed and printed by A. Colish in Mount Vernon, New York. The illustrations have been reproduced by the Photogravure and Color Company and colored by hand in the Studio of Walter Fischer in New York. There are fifteen hundred copies, this being Number {390} and signed by {T M Cleland}"

Conrad, Joseph. Lord Jim A Tale (New York: LEC), 1959. Introduction by Nicholas Monsarrat. Illustrated by Lynd Ward. #652/1500
(Series 27, No. 300)
Spec / PR 6005 / .O4 / L6 / 1959
Colophon: "Of this edition of Lord Jim fifteen hundred copies have been made for the members of The Limited Editions Club. The book has been designed by Carl Purington Rollins and printed at The Printing-Office of the Yale University Press in New Haven, Connecticut. The lithographs by Lynd Ward were drawn on the stone and were reproduced by George C. Miller in New York. The illustrator here signs {Lynd Ward} this copy, which is number {652}"

Conrad, Joseph. The Nigger of the Narcissus (Los Angeles: LEC), 1965. Introduction by Howard Mumford Jones. Illustrated by Millard Sheets. #1004/1500
(Series 33, No. 372)
Spec / PR 6005 / .O4 / N5 / 1965
Colophon: "This edition of The Nigger of the 'Narcissus' has been designed by Ward Ritchie and printed for the members of The Limited Editions Club by Anderson, Ritchie & Simon: The Ward Ritchie Press in Los Angeles. The illustrations were made my Millard Sheets. There are fifteen hundred copies, of which this is copy number {1004} and it is here signed by the artist {Millard Sheets}"

Conrad, Joseph. Nostromo: A Tale of the Seaboard (San Francisco: LEC), 1961. Introduction by Rupert Croft-Cooke. Illustrated by Lima de Freitas. #652/1500
(Series 29, No. 323)
Spec / PR 6005 / .O4 / N578 / 1961
Colophon: "This edition of Nostromo has been designed by Adrian Wilson for the members of The Limited Editions Club, the illustrations having been drawn by Lima de Freitas, the printing having been performed by Taylor & Taylor in San Francisco, and the binding having been executed by the Russell-Rutter Company in New York. Fifteen hundred copies have been made, of which this is copy number {652} and it is signed by the illustrator {Lima de Freitas}"

Conrad, Joseph. Youth [and] Typhoon [and] The End of the Tether (Los Angeles: LEC), 1972. Introduction by Leo Gurko. Illustrated by Robert Shore. #1004/1500
(Series 39, No. 446)
Spec / PR 6005 / .O4 / A15 / 1972
Colophon: "This edition of three tales by Joseph Conrad has been designed by Ward Ritchie and printed for the members of The Limited Editions Club at The Ward Ritchie Press in Los Angeles. The illustrations were made by Robert Shore. There are fifteen hundred copies, of which this is copy number {1004} and it is here signed by the artist {Robert Shore} and by the designer-printer {Ward Ritchie}"

Crane, Stephen. Maggie: A Girl of the Streets (Avon, CT: LEC), 1974. Introduction by Shirley Ann Grau. Illustrated by Sigmund Abeles. #390/2000
(Series 42, No. 479)
Spec / PS 1449 / .C85 / M3 / 1974
Colophon: "Of this first-edition of Maggie: A Girl of the Streets two thousand copies have been made for the members of The Limited Editions Club from the typographic plan of Abe Lerner. The printing has been done in Mount Vernon, New York, at the Press of A. Colish. The illustrations has been etched in copper by Sigmund Abeles in Northwood Narrows, New Hampshire, and the prints reproduced by The Photogravure & Color Company in Moonachie, New Jersey. This is copy number {390} and it is signed here by the artist {Abeles}"

Creasy, Edward S. The Fifteen Decisive Battles of the World (New York: LEC), 1969. Introduction by Hanson W. Baldwin. Illustrated by Joseph Domjan. #238/1500
(Series 37, No. 417)
Spec Folio / D 25 / .C96 / 1969
Colophon: "Of this edition of The Fifteen Decisive Battles of the World, fifteen hundred copies have been made for the members of The Limited Editions Club at The Stinehour Press in Lunenburg, Vermont. The format has been planned by Eugene M. Ettenberg. Rainbows, Inc., of Hazardville, Connecticut, has made the reproductive plates from Joseph Domjan's multicolor woodcuts, and they have been printed by the Holyoke Lithograph Company in Holyoke, Massachusetts. This copy number {238} is here signed by the artist {Domjan}"

Defoe, Daniel. The Fortunes and Misfortunes of the Famous Moll Flanders (New York: LEC), 1954. Illustrated by Reginald Marsh. #439/1500
(Series 22, No. 243)
Spec / PR 3404 / .F65 / 1954
Colophon: "Supposedly written by the famous Moll Flanders in 1683 and actually transcribed by Daniel Defoe in 1722. This edition, of fifteen hundred copies, was prepared for the members of The Limited Editions Club in 1954: The printing having been done by Peter Beilenson in Mount Vernon and the illustrations [colored through stencils in the studio of Martha Berrien] having been drawn by Reginald Marsh, who here signs {Reginald Marsh} this copy, which is number 439"

Defoe, Daniel. Roxana: The Fortunate Mistress (Avon, CT: LEC), 1976. Introduction by James Sutherland. Illustrated by Bernd Kroeber. #390/2000
(Series 43, No. 498)
Spec / PR 3404 / .F6 / 1976
Colophon: "The History of the Beautiful Lady here call'd Roxanna, as given to the World in 1724 by Daniel Defoe, is now publish'd two hundred and fifty years later in an Edition of two thousand Copies for the Members of The Limited Editions Club: the typographic Scheme being the Work of Adrian Wilson; and the Presswork having been performed in Lunenburg, in the State of Vermont, at The Stinehour Press. The Illustrations have been cut in Wood by Bernd Kroeber, who here signs {Bernd Kroeber} this Copy which is Number {390}"

Dickens, Charles. American Notes for General Circulation (Avon, CT: LEC), 1975. Introduction by Angus Wilson. Illustrated by Raymond F. Houlihan. #390/2000
(Series 42, No. 484)
Spec / E 165 / .D53 / 1974
Colophon: "Two thousand copies of this edition of American Notes have been printed for the members of The Limited Editions Club by The Connecticut Printers of Bloomfield from the typographic plans of Joseph Blumenthal. The illustrations were drawn by Raymond F. Houlihan who here signs {Raymond F. Houlihan} This is copy number {390}"

Dickens, Charles. Hard Times for These Times (New York: LEC), 1966. Illustrated by Charles Raymond. Introduction by John T. Winterich. #1004/1500
(Series 34, No. 380)
Spec / PR 4561 / .A1 / 1966b
Colophon: "Fifteen hundred copies of this edition of Hard Times have been printed for the members of The Limited Editions Club by Joseph Blumenthal at The Spiral Press in New York. The illustrations were drawn by Charles Raymond who here signs {Charles Raymond} This is copy number {1004}"

Dostoevsky, Fyodor. The Gambler: Notes from Underground (Bloomfield, CT: LEC), 1967. Translated by Constance Garnett. Introduction by George Steiner. Illustrated by Alexandre Alexe‹eff. #1004/1500
(Series 35, No. 392)
Spec / PG 3326 / .I4 / G3 / 1967
Colophon: "Of this edition fifteen hundred copies have been made for the members of The Limited Editions Club from the typographic plan of John Dreyfus. Alexandre Alexe‹eff executed the illustrations in Paris with the collaboration of Claire Parker, employing the pinboard technique, which is their invention. The text has been printed in Bloomfield, Connecticut, at The Sign of the Stone Book, and the illustrations have been reproduced by The Meriden Gravure Company in Meriden, Connecticut. This is copy number {1004} and it is signed by the illustrator {A. Alexeïeff}"

Dumas, Alexandre, père. The Black Tulip (Haarlem: LEC), 1951. Translated by S. J. Adair Fitz-Gerald. Introduction by Ben Ray Redman. #652/1500
(Series 20, No. 219)
Spec / PQ 2229 / .T8 / E5 / 1951
Colophon: "Of this edition of The Black Tulip fifteen hundred copies have been made for the Members of the Limited Editions Club by the ancient printing house of Joh. Ensched´ en Zonen in Haarlem, Holland. The edition having been designed by Jan van Krimpen. The illustrations drawn by Frans Lammers and engraved on wood by Gilbert Poilliot. This is copy number {652} and it is signed by {J. van Krimpen} {Frans Lammers}"

Dumas, Alexandre, père. The Three Musketeers (New York: LEC), 1953. Translated by William Robson. Illustrated by Edy Legrand. #439/1500
(Series 22, No. 237)
Spec / PQ 2228 / .A37 / 1953
Colophon: "Of this edition of The Three Musketeers fifteen hundred copies have been made for the members of The Limited Editions Club. The composition of the text has been done by Peter Beilenson, and the printing of the text has been done at the George Grady Press. The illustrations were drawn by Edy Legrand; they were printed by the Photogravure & Color Company, and then hand- colored through stencils in the studio of Walter Fischer. The paper was especially made by the Curtis Paper Company, and the binding was done by the Russell-Rutter Company. This is copy number 439"

Du Maurier, George. Peter Ibbetson (New York: LEC), 1963. Illustrated by George Du Maurier. #691/1600
(Series 31, No. 350)
Spec / PR 4634 / .P4 / 1963
Colophon: "Of this edition of Peter Ibbetson sixteen hundred copies have been made, of which number fifteen hundred copies are reserved for the members of The Limited Editions Club and one hundred copies for the Fellows of The Pierpont Morgan Library. The author's illustrations have been reproduced from the original drawings now in the possession of The Pierpont Morgan Library in New York by special permission of the Library's Trustees. The reproductions have been made, for the first time directly and in their original size, by The Meriden Gravure Company. The text has been composed and printed at the Sign of the Stone Book in Hartford, from the typographic plan by George Salter. This is copy number {691}"

Eliot, George. Silas Marner: The Weaver of Raveloe (London: LEC), 1953. Introduction by John T. Winterich. Illustrated by Lynton Lamb. #439/1500
(Series 22, No. 235)
Spec / PR 4670 / .A1 / 1953
Colophon: "This edition of Silas Marner was planned by Hans Schmoller, and fifteen hundred copies were printed for the members of The Limited Editions Club by James Shand at The Shenval Press. The illustrations were drawn on the stone by Lynton Lamb and printed at The Curwen Press. This copy is number 439 and it is here signed by the illustrator {Lynton Lamb}"

Epicurus. Epicurus: The Extant Remains of the Greek Text (New York: LEC), 1947. Translated by Cyril Bailey. Introduction by Irwin Edman. Illustrated by Bruce Rogers. #652/1500
(Series 17, No. 183)
Spec / B 570 / .E5 / 1947 / c. 2
Colophon: "This edition of Epicurus consists of fifteen hundred copies made for the members of The Limited Editions Club by Bruce Rogers who here signs this copy number {652} {Bruce Rogers}"

Fielding, Henry. The History of Tom Jones, a Foundling (New York: LEC, 1952). 2 vols. Illustrated by T. M. Cleland. Introduction by Louis Kronenberger. #652/1500
(Series 20, No. 220)
Spec / PR 3454 / .H5 / 1952 / vol. 1-2
Colophon: "This Edition of Tom Jones has been Designed & Illustrated by T. M. Cleland for the Members of The Limited Editions Club. The text has been Printed at the Club's Printing-Office in New York, on an especially-made Curtis paper, and the Illustrations have been Reproduced in Pars: the Color- Plates by Deberny & Peignot, the Color-Printing by Lucien Delaporte. There are Fifteen Hundred copies of which this is Number {652} and it is here signed by the Artist: {T M Cleland}"

Flaubert, Gustave. Salammbô (Cambridge: LEC), 1960. Introduction by Justin O'Brien. Illustrated by Edward Bawden. #30/1500
(Series 28, No. 309)
Spec / PQ 2246 / .S3 / E43 / 1960
Colophon: "Of this edition of Salammbô fifteen hundred copies have been printed at The University Press, Cambridge, England for the members of The Limited Editions Club of New York. The illustrations in line and color have been drawn by Edward Bawden who signs here {Edward Bawden} this copy number {30}"

Flaubert, Gustave. Three Tales: A Simple Heart; The Legend of Saint Julian; Herodias (New York: LEC), 1978. Introduction by Guy de Maupassant. Illustrated by May Néama. #1235/1600
(Series 44, No. 511)
Spec / PQ 2246 / .T7 / E5 / 1978
Colophon: "This edition of Three Tales by Gustave Flaubert numbering sixteen hundred copies has been printed for the Members of The Limited Editions Club at The Press of A. Colish, Mount Vernon, New York. It has been designed by Bert Clarke and illustrated by May N‚ama. This is copy number {1235} and is here signed by the artist {May Néama}"

France, Anatole. The Crime of Sylvestre Bonnard [Member of the Institute] (New York: LEC), 1937. Translated by Lafcadio Hearn. Introduction by A. S. W. Rosenbach. Illustrated by Sylvain Sauvage. #652/1500
(Series 9, No. 96)
Spec / PQ 2254 / .C7 / E5 / 1937
Colophon: "Of this edition of The Crime of Sylvestre Bonnard fifteen hundred copies have been made for the members of The Limited Editions Club. The edition is designed by Edward A. Miller and printed at the Marchbanks Press in New York. The illustrations done in water-color by Sylvain Sauvage are reproduced by the Duenewald Printing Corporation. This copy is number {652} and it is signed by the illustrator {S. Sauvage}"

France, Anatole. The Revolt of the Angels (New York: LEC), 1953. Translated by Mrs. Wilfrid Jackson. Introduction by Desmond MacCarthy. Illustrated by Pierre Watrin. #439/1500
(Series 22, No. 239)
Spec / PQ 2254 / .R6 / E6 / 1953
Colophon: "Of this edition of The Revolt of the Angels fifteen hundred copies have been printed for the members of The Limited Editions Club by Saul & Lillian Marks at The Plantin Press, Los Angeles. The illustrations by Pierre Watrin having been reproduced by The Photogravure & Color Company. This is copy number 439."

Froissart, Jean. The Chronicles of England, France, Spain and Other Places Adjoining (New York: LEC), 1959. Translated from the French by John Bourchier Lord Berners. Edited by G. C. Macaulay. Introduction by Sidney Painter. Illustrated by Henry C. Pitz. #652/1500
(Series 28, No. 306)
Spec / D 113 / .F77 / 1959
Colophon: "One thousand five hundred copies of this edition of Froissart's Chronicles have been printed by Peter Beilenson in Mount Vernon, New York. The illustrations were drawn by Henry C. Pitz and they have been reproduced by the Crafton Graphic Company and colored by hand in the studio of Walter Fischer in New York. The illustrator here signs {Henry C Pitz} this copy, which is number {652}"

Gautier, Théophile. Mademoiselle De Maupin (New York: LEC), 1943. Introduction by Jacques Barzun. Illustrated by André Dugo. #390/1000
(Series 15, No. 154)
Spec / PQ 2258 / .M313 / 1943
Colophon: "This edition of Mademoiselle De Maupin has been designed by George Salter for the members of The Limited Editions Club, and it has been printed in the shop of Commanday-Roth in New York. The illustrations were drawn by André Dugo and were lithographed by The Duenewald Printing Corporation, the colors being applied by hand in the studio of Charlize Brakely. Of the one thousand copies bound this is copy number {390} and it is signed by the illustrator {André Dugo}"

Gay, John. The Beggar's Opera (Paris: LEC), 1937. Illustrated by Mariette Lydis. #700/1500
(Series 8, No. 90)
Spec Folio / PR 3473 / .B46 / 1937b
Colophon: "Of this edition of The Beggar's Opera fifteen hundred copies have been printed in Lyon by Count Giuseppe Govone on the presses of Audin & Cie for the members of The Limited Editions Club, the illustrations, printed in Paris by F. Mourlot, being original lithographs by Mariette Lydis who here signs {mariette lydis} this copy number {700}"

Gogol, Nikolai. Chichikov's Journeys; or, Home Life in Old Russia (New York: LEC), 1944. 2 vols. Translated from the Russian by Bernard Guilbert Guerney. Introduction by Avrahm Yarmolinsky. Illustrated by Lucille Corcos. #652/1200
(Series 15, No. 164)
Spec / PG 3333 / .M4 / 1944
Colophon: "This edition of Chichikov's Journeys [Dead Souls] consists of twelve hundred copies printed for the members of The Limited Editions Club by the Akerman-Standard Press in Providence. The illustrations by Lucille Corcos having been reproduced by the Duenewald Printing Corporation in New York. This copy is number {652} and it is signed by {Lucille Corcos}"

Gogol, Nikolai. The Overcoat [and] The Government Inspector (Westport, CT: LEC), 1976. Translated by Constance Garnett. Introduction by Alfred Kazin. Illustrated by Saul Field. #1063/2000
(Series 43, No. 500)
Spec / PG 3333 / .S5 / G37 / 1976
Colophon: "This edition of two masterpieces by Nikolai Gogol has been designed by Charles E. Skaggs and printed for the members of The Limited Editions Club by The Meriden Gravure Company in Meriden, Connecticut, which reproduced the embossed engravings from prints hand-pulled by Saul Field. There are two thousand copies, of which this is copy number {1063} and it is here signed by the artist {Saul Field}"

Goldsmith, Oliver. She Stoops to Conquer; or The Mistakes of a Night (New York: LEC), 1964. Introduction by Louis Kronenberger. Illustrated by T. M. Cleland. #390/1500
(Series 32, No. 358)
Spec / PR 3488 / .A2 / K7 / 1964b
Colophon: "This edition of She Stoops to Conquer has been designed and illustrated by T. M. Cleland and printed by Clarke & Way in New York for the members of The Limited Editions Club. There are fifteen hundred copies, this being number {390} and signed by {T M Cleland}"

Graves, Robert. Poems (New York: LEC), 1980. Selected with an introduction by Elaine Kerrigan. Illustrated by Paul Hogarth. #1004/2000
(Series 45, No. 517)
Spec / PR 6013 / .R35 / A6 / 1980 / c. 2
Colophon: "Two thousands copies of this edition of Poems by Robert Graves have been made for the members of The Limited Editions Club at The Stinehour Press in Lunenburg, Vermont from the typographic plans of Freeman Keith. The illustrations have been drawn by Paul Hogarth. This is copy number {1004} and it is here signed by {Freeman Keith} {Paul Hogarth}"

Hearn, Lafcadio. Kwaidan: Stories and Studies of Strange Things (Tokyo: LEC), 1932. Introduction by Oscar Lewis. Illustrated by Yasumasa Fujita. #775/1500
(Series 3, No. 31)
Spec / PS 1917 / .K8 / 1932
Colophon: "Of this edition of Kwaidan by Lafcadio Hearn, illustrated by Yasumasa Fujita, fifteen hundred copies have been made for the members of The Limited Editions Club by the Shimbi Shoin, Ltd. in Tokyo, Japan. This copy is number 775 and signed by {Yasumasa Fujita [in Japanese with chop]}"

Hearn, Lafcadio. The Scenes of Cable's Romances. [See Cable. Old Creole Days.]

Herodotus. The Histories of Herodotus of Halicarnassus (Haarlem, Holland: LEC), 1958. Translated by Harry Carter. Illustrated by Edward Bawden. #652/1500
(Series 27, No. 293)
Spec / D 58 / .H32 / 1958
Colophon: "Of this edition of The Histories of Herodotus 1500 copies have been made for the members of The Limited Editions Club. Printed by Joh. Enschedé en Zonen at Haarlem, Holland in Monotype Spectrum type designed by Jan van Krimpen on paper made at Wolvercote Paper Mill Oxford, England and bound by J. Brandt & Zoon at Amsterdam, Holland. The book was designed by Harry Carter in concert with Edward Bawden and Jan van Krimpen. This is copy number {652}. It is signed by the illustrator {Edward Bawden}"

Hersey, John. The Wall (New York: LEC), 1957. Introduction by George N. Shuster. Illustrated by William Sharp. #390/1500
(Series 26, No. 280)
Spec / PS 3515 / .E7715 / W3 / 1957
Colophon: "This edition of The Wall by John Hersey consists of fifteen hundred copies made for the members of The Limited Editions Club from the typographic plan of Peter Oldenberg. The illustrations are pen and ink drawings and twelve original aquatints drawn on the plates by William Sharp. The aquatints have been hand pulled at the Photogravure and Color Company. The book has been printed at The Marchbanks Press in New York. This is copy number 390 and it is signed by the illustrator {Wm Sharp}"

Hesse, Hermann. Steppenwolf (Westport, CT: LEC), 1977. Illustrated by Helmut Ackermann. #1004/1600
(Series 44, No. 504)
Spec / PT 2617 / .E85 / S7 / 1977
Colophon: "Of this edition of Steppenwolf sixteen hundred copies have been printed for the members of The Limited Editions Club at The Press of A. Colish in Mount Vernon, New York, from the typographic plan of Max Caflisch. The illustrations are woodcuts by Helmut Ackermann. This is copy number {1004} and it is here signed by the artist: {Helmut Ackermann}"

Homer. The Odyssey of Homer (Haarlem: LEC), 1931. Translated from the Greek by Alexander Pope. Introduction by Carl Van Doren. #38/1500
(Series 2, No. 15)
Spec Folio / PA 4025 / .A5 / P6 / 1931b
Colophon: "Of this edition of the Odyssey, designed by J. van Krimpen, fifteen hundred copies have been printed for the Members of The Limited Editions Club by Joh. Enschedé en Zonen, Haarlem, Holland. Each copy is signed by the designer {J. Van Krimpen}. This is number 38."

Horace. Odes and Epodes (New York: LEC), 1961. In the original Latin and in translations selected and edited with an introduction by Louis Untermeyer. Illustrated with reproductions of pages from earlier editions. #691/1500
(Series 29, No. 325)
Spec Folio / PA 6395 / .A2 / 1961 / v. 1-2
Colophon: [Vol. 1] "Of this bilingual edition of the Odes and Epodes of Horace, fifteen hundred copies have been made for the members of The Limited Editions Club by Clarke & Way at The Thistle Press in New York from the typographic design of Robert L. Dothard. This is copy number {691}" [Vol. 2] "Of this volume of pages selected from earlier editions of Horace, fifteen hundred copies have been made for the members of The Limited Editions Club from the plans of Robert L. Dothard. The letterpress has been executed at The Thistle Press in New York, and the specimens have been reproduced by The Meriden Gravure Company in Meriden, Connecticut. This is copy number {691}"

Hugo, Victor. The Battle of Waterloo: A Romantic Narrative [from Les Misérables] (Westport, CT: LEC), 1977. Introduction by Drew Middleton. Epilogue by Reginald Colby. Illustrated by Edouard Detaille. #1004/1600
(Series 44, No. 505)
Spec / PQ 2286 / .A32 / 1977
Colophon: "The Battle of Waterloo. Sixteen hundred copies of this edition have been made for The Members of The Limited Editions Club. It has been designed by Reynard Biemiller. The type has been composed and printed at the Harbor Press in New York City. The illustrations have been printed at The Meriden Gravure Company in Meriden, Connecticut. The introduction is by Drew Middleton, who signs here {Drew Middleton}. This copy is number {1004}"

Hugo, Victor. Notre-Dame de Paris (New York: LEC), 1955. Translated by Jessie Haynes. Introduction by Justin O'Brien. Illustrated by Bernard Lamotte. #439/1500
(Series 23, No. 255)
Spec / PQ 2288 / .A34 / 1955
Colophon: "This edition of Notre-Dame de Paris consists of fifteen hundred copies made for the members of The Limited Editions Club. The text was composed in Jan Van Krimpen's Romulus types by Mr. Van Krimpen at the shop of Joh. Enschedé en Zonen in Haarlem, and was printed in New York at the George Grady Press. The illustrations were reproduced in intaglio by Les Fils de Victor Michel in Paris. They were drawn by Bernard Lamotte, who here signs {Bernard Lamotte} this copy, which is number 439."

Hugo, Victor. The Toilers of the Sea (Verona: LEC), 1960. Translated by Isabel F. Hapgood. Introduction by Matthew Josephson. Illustrated by Tranquillo Marangoni. #691/1500
(Series 28, No. 314)
Spec / PQ 2289 / .T7 / E55 / 1960
Colophon: "Of this edition of The Toilers of the Sea fifteen hundred copies have been made for the members of The Limited Editions Club by Giovanni Mardersteig at the Officina Bodoni in Verona, the illustrations having been engraved in wood by Tranquillo Marangoni. This copy is number 691 and it is here signed by the engraver and the printer {T Marangoni} {G Mardersteig}"

James, Henry. The Portrait of a Lady (Baltimore: LEC), 1967. Introduction by R. W. Stallman. Illustrated by Colleen Browning. #103/1500
(Series 35, No. 391)
Spec / PS 2116 / .P6 / 1967
Colophon: "Fifteen hundred copies of this edition of The Portrait of a Lady have been made for the members of The Limited Editions Club by Irvin Silvers at The Garamond Press, Baltimore, from the typographic plan of Peter Oldenburg. The pastel illustrations were drawn by Colleen Browning who here signs {Colleen Browning} this copy, number {103}"

James, Henry. The Turn of the Screw (Los Angeles: LEC), 1949. Introduction by Carl Van Doren. Illustrated by Mariette Lydis. #103/1500
(Series 19, No. 199)
Spec / PS 2116 / .T8 / 1949
Colophon: "Of this edition of The Turn of the Screw 1500 copies have been printed for the members of The Limited Editions Club by Saul and Lillian Marks at The Plantin Press in Los Angeles. The drawings by Mariette Lydis having been printed in gravure by The Photogravure & Color Company in New York. This is copy number {103}"

Joyce, James. The Portrait of the Artist as a Young Man (New York: LEC), 1967. Introduction by Hugh Kenner. Illustrated by Brian Keogh. #1004/1500
(Series 36, No. 402)
Spec / PR 6019 / .O9 / P63 / 1968b
Colophon: "This edition of A Portrait of the Artist as a Young Man has been made in an edition of fifteen hundred copies for the members of The Limited Editions Club. The format was planned by Ruari McLean, the illustrations were drawn by Brian Keogh, and the text has been printed by Clarke and Way in New York. This is copy number {1004} and it is here signed by the artist: {Brian Keogh}"

Kafka, Franz. The Trial (Avon, CT: LEC), 1975. Translated from the German by Willa and Edwin Muir. Introduction by Erich Heller. Illustrated by Alan E. Cober. #390/2000
(Series 43, No. 495)
Spec / PT 2621 / .A26 / P713 / 1975
Colophon: "Of this edition of The Trial two thousand copies have been made for the members of The Limited Editions Club at the Sign of the Stone Compass in Lunenburg, Vermont the format having been planned by Peter Oldenburg and the illustrations having been made by Alan E. Cober who here signs {Alan E. Cober} this copy number {390}"

Kingsley, Charles. Westward Ho! (New York: LEC), 1947. 2 vols. Illustrated by Edward A. Wilson. #390/1500
(Series 17, No. 182)
Spec / PR 4842 / .W4 / 1947 / vol. 1-2
Colophon: "This edition of Westward Ho! has been made for the members of The Limited Editions Club and printed by the Akerman-Standard Press the illustrations having been drawn by Edward A. Wilson and printed in gravure by the Photogravure & Color Company with the colors applied by hand. There are fifteen hundred copies of which this is copy number {390} and it is signed by the illustrator {E A Wilson}"

Lesage, Alain-René. The Adventures of Gil Blas of Santillane (Oxford: LEC), 1937. 2 vols. Translated by Tobias Smollett. Introduction by J. B. Priestley. Illustrated by John Austen. #652/1500
(Series 9, No. 98)
Spec / PQ 1997 / .G6 / E5 / 1937 / vol. 1-2
Colophon: "Of this edition of Gil Blas of Santillane fifteen hundred copies have been printed for The Limited Editions Club by John Johnson printer to the University of Oxford. The illustrations have been made by John Austen and each book has been signed by the artist. This is number {652} {J W Austen}"

Lewis, Sinclair. Main Street (Chicago: LEC), 1937. Introduction by Sinclair Lewis. Illustrated by Grant Wood. #123/1500
(Series 8, No. 89)
Spec / PS 3523 / .E94 / M2 / 1937
Colophon: "Of this edition of Main Street, fifteen hundred copies have been made for the members of The Limited Editions Club at the Lakeside Press, Chicago, under the supervision of W. A. Kittredge; the illustrations having been drawn by Grant Wood, who here signs {Grant Wood} This copy number {123}"

Malory, Thomas. Le Morte d'Arthur: The Story of King Arthur & of His Noble Knights of the Round Table (London: LEC), 1936. 3 vols. Modernised spelling and punctuation by A. W. Pollard. Illustrated by Robert Gibbings. #652/1500
(Series 8, No. 83)
Spec Folio / PR 2043 / .P7 / 1936 / vol. 1-3
Colophon: "This book consists of fifteen hundred copies printed for the members of The Limited Editions Club at The Golden Cockerel Press, London, with the engravings on wood by Robert Gibbings, who here signs: {Robert Gibbings} this copy number {652}"

Maupassant, Guy de. Bel- Ami (New York: LEC), 1968. Introduction by Alec Waugh. Illustrated by Bernard Lamotte. #390/1500
(Series 36, No. 405)
Spec / PQ 2349 / .B3 / E5 / 1968
Colophon: "This edition of Bel-Ami was planned for the members of The Limited Editions Club by Adrian Wilson. The composition and the printing of the text were done by Louis D. Colish at the Press of A. Colish in Mt. Vernon, New York. The illustrations were painted by Bernard Lamotte and reproduced by William Mangini and Michael Pagliaro in Hazardville, Connecticut. There are fifteen hundred copies, of which this is copy number {390} and it is here signed by the illustrator {Bernard Lamotte}"

Maupassant, Guy de. A Woman's Life (Une Vie) (New York: LEC), 1952. Translated from the French by Marjorie Laurie. Introduction by Edmond Jaloux. Illustrated by Edy Legrand. #652/1500
(Series 21, No. 226)
Spec / PQ 2349 / .V4 / E6 / 1952
Colophon: "Of this special edition of A Woman's Life fifteen hundred copies have been made for the members of The Limited Editions Club from typographic plans originally prepared by Sir Francis Meynell for the edition published by The Nonesuch Press. For this special edition, the composition has been done in New York and the printing at the Marchbanks Press on a special making of Curtis rag paper; the illustrations made by Edy Legrand are printed as gravures by the Photogravure and Color Company and all of the colors applied by hand in the studio of Walter Fischer. This is copy number 652."

Melville, Herman. Billy Budd [and] Benito Cereno (New York: LEC), 1965. Introduction by Maxwell Geismar. Illustrated by Robert Shore. #1004/1500
(Series 33, No. 367)
Spec / PS 2384 / .B5 / 1965
Colophon: "Of this edition of two tales by Herman Melville illustrated by Robert Shore, designed by Eugene M. Ettenberg, and printed by A. Colish in Mount Vernon, New York, fifteen hundred copies have been completed in the spring of nineteen hundred and sixty-five for distribution to the members of The Limited Editions Club. This copy is number {1004} signed by {Robert Shore}"

Molière, Jean-Baptiste Poquelin de. Tartuffe & The Would-Be Gentleman (New York: LEC), 1963. Translated by H. Baker and J. Miller. Introduction by Henri Peyre. Illustrated by Serge Ivanoff. #390/1500
(Series 31, No. 342)
Spec / PQ 1842 / .A422 / 1963
Colophon: "This edition of Tartuffe and The Would-Be Gentleman consists of fifteen hundred copies. It has been designed by Jean Garcia for the members of The Limited Editions Club, and printed at The Thistle Press. The illustrations have been drawn by Serge Ivanoff, who here signs {Serge Ivanoff} this copy number {390}"

Nordhoff, Charles & James Norman Hall. Mutiny on the Bounty (New York: LEC), 1947. Illustrated by Fletcher Martin. Appendix containing the true story of Peter Heywood. #800/1500
(Series 17, No. 178)
Spec / PS 3527 / .O437 / M8 / 1947b
Colophon: "Fifteen hundred copies of this book have been printed for the member of The Limited Editions Club at the Garamond Press in Baltimore, the illustrations having been drawn by Fletcher Martin, who here signs: {Fletcher Martin} this copy, which is number: {800}"

Parkman, Francis. The Oregon Trail (New York: LEC), 1943. Edited by Mason Wade. Illustrated by Maynard Dixon. #524 [limitation not stated]
(Series 14, No. 149)
Spec / F 592 / .P275 / 1943
Colophon: "The text of this edition of The Oregon Trail was prepared for the members of The Limited Editions Club by Mason Wade. It was printed at Brattleboro, Vermont, by E. L. Hildreth & Company and the illustrations were made by Maynard Dixon. This copy is number {524} and it is signed by {Maynard Dixon}"

Peattie, Donald Culross. An Almanac for Moderns (Washington: LEC), 1938. Introduction by Donald Culross Peattie. Illustrated by Asa Cheffetz. #652/1500
(Series 9, No. 100)
Spec / QH 81 / .P4 / 1938
Colophon: "Of this edition of an almanac for moderns, designed and directed by Lester Douglas, fifteen hundred copies have been printed for the members of The Limited Editions Club by Judd and Detweiler, Inc., of Washington, D.C., the illustrations having been engraved in wood by Asa Cheffetz, who here signs {Asa Cheffetz} this copy number {652}"

Pepys, Samuel. The Diary of Samuel Pepys (New York: LEC), 1942. 10 vols. Transcribed by Rev. Mynors Bright. Edited with additions by Henry B. Wheatley, F.S.A.. Illustrated by William Sharp. #652/1500
(Series 13, No. 135)
Spec / DA 447 / .P4 / A4 / 1942 / vol. 1-10
Colophon: "William Sharp created the two hundred illustrations which appear in this book, and which re-create the London of the time of Samuel Pepys for the fifteen hundred members of The Limited Editions Club for whom this edition of The Diary of Samuel Pepys was made. Peter Beilenson designed and printed this edition at the Walpole Printing Office in Mount Vernon, New York. The paper was especially made by the Worthy Paper Company and the binding was done by the Russell-Rutter Company. This copy is no. {652} and it is signed by {Wm Sharp}"

Plutarch. The Lives of the Noble Grecians and Romans (New York: LEC), 1941. 8 vols. Translated from the Greek into French by James Amyot and translated from the French into English by Thomas North. Introduction by Emil Ludwig. #652/1500
(Series 12, No. 128)
Spec / DE 7 / .P55 / 1941 / vol. 1-8
Colophon: "This book was designed by W. A. Dwiggins and printed by The Southworth-Anthoensen Press of Portland, Maine. Fifteen hundred copies were made for the members of The Limited Editions Club. This is copy number {652} {W. A. Dwiggins}"

Popol Vuh, The Book of the People: The National Book of the Ancient Quiché Maya (Los Angles: LEC), 1954. Translated from the Spanish translation of Adrián Recinos by Delia Goetz and Sylvanus Griswold Morley. Pronouncing dictionary by Lucille Kaufman Weil. Illustrated by Everett Gee Jackson. #848/1500
(Series 23, No. 251)
Spec / F 1465 / .P8385 / 1954
Colophon: "This edition of The Book of the People: Popol Vuh was the suggestion of Everett Gee Jackson, who made the illustrations. Fifteen hundred copies have been made for the members of The Limited Editions Club by Saul & Lillian Marks at The Plantin Press, Los Angeles. This is copy number 848 and it is signed by the illustrator {Everett Gee Jackson}"

Prescott, William Hickling. History of the Reign of Ferdinand and Isabella (New York: LEC), 1967. Edited by C. Harvey Gardiner. Illustrated by Lima de Freitas. #103/1500
(Series 36, No. 399)
Spec / DP 162 / .P82 / 1967
Colophon: "Fifteen hundred copies of this edition of The History of Ferdinand and Isabella the Catholic have been made at the Garamond Press of Baltimore for the members of The Limited Editions Club. The book has been illustrated by Lima de Freitas, who here signs {Lima de Freitas} this copy number {103}"

Proust, Marcel. Swann's Way (New York: LEC), 1954. Translated from the French by C. K. Scott Moncrieff. Introduction by Justin O'Brien. Illustrated by Bernard Lamotte. #652/1500
(Series 22, No. 244)
Spec / PQ 2631 / .R63 / D83 / 1954
Colophon: "This edition of Swann's Way was planned for the members of The Limited Editions Club by George Macy. The composition of the text, and its printing, were done by Irvin Silvers at the Garamond Press in Baltimore. The illustrations were painted by Bernard Lamotte, reproduced by Deberny et Peignot, and printed in Paris in the atelier of Lucien Delaporte. There are fifteen hundred copies, of which this is copy number 652 and it is here signed by the illustrator {Bernard Lamotte}"

Rabelais, François. Gargantua and Pantagruel (New York: LEC), 1936. 5 vols. Translated from the French by Jacques Le Clercq. Illustrated by W. A. Dwiggins. #652/1500
(Series 7, No. 82)
Spec / PQ 1685 / .E5 / L4 / 1936 / bk. 1-5
Colophon: "This book was designed by W. A. Dwiggins and printed by The Southworth-Anthoensen Press of Portland, Maine. Fifteen hundred copies were made for the members of The Limited Editions Club. This is copy number {652} {W. A. Dwiggins}"

Rilke, Rainer Maria. Selected Poems of Rainer Maria Rilke (New York: LEC), 1981. Translated from the German by C. F. MacIntyre. Preface by Harry T. Moore. Illustrated by Robert Kipniss. #1866/2000
Spec / PT 2635 / .I65 / A6 / 1981
(Series 45, No. 518)
Colophon: "Of this edition of Rainer Maria Rilke's Selected Poems, in a format planned by Katy Homans, two thousand copies have been printed for the members of The Limited Editions Club at the Press and Letterfoundry of Michael & Winifred Bixler in Boston, Massachusetts. The lithographs, printed in New York by Burr Miller, were drawn on the plate by Robert Kipniss, who here signs {Kipniss} this copy, number {1866}"

Scott, Walter, Sir. Ivanhoe (New York: LEC), 1951. 2 vols. Illustrated by Edward A. Wilson. #390/1500
(Series 20, No. 211)
Spec / PR 5318 / .A1 / 1951 / vol. 1-2
Colophon: "Fifteen hundred copies of this edition of Ivanhoe have been made for the members of The Limited Editions Club. The illustrations by Edward A. Wilson being colored by hand through stencils in the studio of Walter Fischer. This is copy number {390} and it is here signed by the illustrator: {E A Wilson}"

Scott, Walter, Sir. The Talisman (Ipswich: LEC), 1968. Introduction by Thomas Caldecot Chubb. Illustrated by Federico Castellon. #1467/1500
(Series 37, No. 415)
Spec / PR 5322 / .T35 / 1968
Colophon: "Fifteen hundred copies of this edition of The Talisman have been made for the members of The Limited Editions Club from the typographic plan of John Lewis. The printing has been done by W. S. Cowell Limited in Ipswich, Suffolk, England. The aquatints have been etched in copper by Federico Castellon in New York and the prints pulled by M. Beaune in Cr‚teil. This is copy number {1467} and it is here signed by the artist {F. Castellon}"

Scott, Walter, Sir. Waverley; or, 'Tis Sixty Years Since (Lunenburg, VT: LEC), 1961. Introduction by Andrew Lang. Illustrated by Robert Ball. #390/1500
(Series 30, No. 330)
Spec / DA 814.3 / .S36 / 1961
Colophon: "Fifteen hundred copies of this edition of Waverley have been made for the members of The Limited Editions Club at the Stinehour Press, Lunenburg, Vermont. The drawings by Robert Ball were printed by the Crafton Graphic Company. This copy number {390} and it is here signed by the illustrator {Robert Ball}"

The Sermon on the Mount (Oxford: LEC), 1977. Introduction, parallel texts, and commentaries by Rowan A. Greer. #1004/1600
(Series 44, No. 507)
Spec Folio / BT 380.2 / .S47 / 1977
Colophon: "Of this edition of The Sermon on the Mount sixteen hundred copies have been made for the members of The Limited Editions Club. It has been designed by John Dreyfus with engravings by Leo Wyatt and printed under the direction of Vivian Ridler printer to the university. This copy is number {1004}"
[NOTE: This volume contains no illustrations or engravings.]

The Seven Voyages of Sindbad the Sailor (New York: LEC), 1949. Rendered from the Arabic into French by J. C. Mardrus. Translated by E. Powys Mathers. Introduction by C. S. Forester. Illustrated by Edward A. Wilson. #956/1500
(Series 19, No. 198)
Spec / PZ 8 / .S357 / Mat
Colophon: "Fifteen hundred copies of this edition of The Seven Voyages of Sindbad the Sailor have been printed for the members of The Limited Editions Club by the Eilert Printing Company with illustrations drawn by Edward A. Wilson reproduced by the Photogravure & Color Company and colored by hand. This is copy number {956} and it is signed by the artist {E A Wilson}"

Shakespeare, William. All's Well That Ends Well (New York: LEC), 1940. The text of the First Folio edited and amended where obscure by Herbert Farjeon. Illustrated by Richard Floethe. #652/1950
(Series 11, No. 118¹)
Spec Folio / PR 2754 / .F3 / v. 31
Colophon: "This edition of All's Well, That Ends Well is one of the thirty-seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are from drawings by Richard Floethe of U.S.A. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. Antony and Cleopatra (New York: LEC), 1939. The text of the First Folio edited and amended where obscure by Herbert Farjeon. Illustrated by Enric-C. Ricart. #652/1950
(Series 11, No. 118²)
Spec Folio / PR 2754 / .F3 / v. 19
Colophon: "This edition of The Tragedie of Anthonie, and Cleopatra is one of the thirty-seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are hand-colored wood-engravings by Enric-C. Ricart of Spain. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. As You Like It (New York: LEC), 1939. The text of the First Folio edited and amended where obscure by Herbert Farjeon. Illustrated by Sylvain Sauvage. #652/1950
(Series 11, No. 118³)
Spec Folio / PR 2754 / .F3 / v. 3
Colophon: "This edition of As You Like It is one of the thirty-seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are water-colors by Sylvain Sauvage of France. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. The Comedy of Errors (New York: LEC), 1939. The text of the First Folio edited and amended where obscure by Herbert Farjeon. Illustrated by John Austen. #652/1950
Spec Folio / PR 2754 / .F3 / v. 8
(Series 11, No. 118⁴)
Colophon: "This edition of The Comedie of Errors is one of the thirty-seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are from wood-engravings in water-color by John Austen of England. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. Coriolanus (New York: LEC), 1939. The text of the First Folio edited and amended where obscure by Herbert Farjeon. Illustrated by C. Pal Molnár. #652/1950
(Series 11, No. 118⁵)
Spec Folio / PR 2754 / .F3 / v. 9
Colophon: "This edition of The Tragedy of Coriolanus is one of the thirty-seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are from paintings by C. Pal Molnár of Hungary. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. Cymbeline (New York: LEC), 1939. The text of the First Folio edited and amended where obscure by Herbert Farjeon. Illustrated by Yngve Berg. #652/1950
(Series 11, No. 118⁶)
Spec Folio / PR 2754 / .F3 / v. 30
Colophon: "This edition of The Tragedie of Cymbeline is one of the thirty-seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are lithographs by Yngve Berg, of Sweden. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. Hamlet (New York: LEC), 1939. The text of the First Folio, with Quarto insertions, edited and amended where obscure by Herbert Farjeon. Illustrated by Edy Legrand. #652/1950
(Series 11, No. 118⁷)
Spec Folio / PR 2754 / .F3 / v. 7
Colophon: "This edition of The Tragedie of Hamlet, Prince of Denmarke is one of the thirty-seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are from drawings by Edy Legrand of France. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. Henry the Fifth (New York: LEC), 1940. The text of the First Folio, with Quarto insertions, edited and amended where obscure by Herbert Farjeon. Illustrated by Vera Willoughby. #652/1950
(Series 11, No. 118¹⁰)
Spec Folio / PR 2754 / .F3 / v. 36
Colophon: "This edition of The Life of Henry the Fift is one of the thirty-seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are from drawings by Vera Willoughby of England. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. Henry the Fourth: Part I (New York: LEC), 1939. The text of the First Folio, with Quarto insertions, edited and amended where obscure by Herbert Farjeon. Illustrated by Barnett Freedman. #652/1950
(Series 11, No. 118⁸)
Spec Folio / PR 2754 / .F3 / v. 17
Colophon: "This edition of The First Part of Henry the Fourth is one of the thirty- seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are lithographs in color by Barnett Freedman of England. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. Henry the Fourth: Part II (New York: LEC), 1939. The text of the First Folio, with Quarto insertions, edited and amended where obscure by Herbert Farjeon. Illustrated by Edward Bawden. #652/1950
(Series 11, No. 118⁹)
Spec Folio / PR 2754 / .F3 / v. 18
Colophon: "This edition of The Second Part of Henry the Fourth is one of the thirty- seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are from water-colors by Edward Bawden of England. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. Henry the Eighth (New York: LEC), 1939. The text of the First Folio edited and amended where obscure by Herbert Farjeon. Illustrated by Eric Gill. #652/1950
(Series 11, No. 118¹⁴)
Spec Folio / PR 2754 / .F3 / v. 1
Colophon: "This edition of The Life of King Henry the Eight is one of the thirty- seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are wood- engravings by Eric Gill of England. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. Henry the Sixth: Part I (New York: LEC), 1940. The text of the First Folio edited and amended where obscure by Herbert Farjeon. Illustrated by Graham Sutherland.. #652/1950
(Series 11, No. 118¹¹)
Spec Folio / PR 2754 / .F3 / v. 25
Colophon: "This edition of The First Part of Henry the Sixt is one of the thirty-seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are lithographs by Graham Sutherland of England. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. Henry the Sixth: Part II (New York: LEC), 1940. The text of the First Folio edited and amended where obscure by Herbert Farjeon. Illustrated by Carlotta Petrina. #652/1950
(Series 11, No. 118¹²)
Spec Folio / PR 2754 / .F3 / v. 26
Colophon: "This edition of The Second Part of Henry the Sixt is one of the thirty- seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are lithographs by Carlotta Petrina of the U.S.A. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. Henry the Sixth: Part III (New York: LEC), 1940. The text of the First Folio edited and amended where obscure by Herbert Farjeon. Illustrated by Jean Charlot. #652/1950
(Series 11, No. 118¹³)
Spec Folio / PR 2754 / .F3 / v. 27
Colophon: "This edition of The Third Part of Henry the Sixt is one of the thirty- seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are from drawings by Jean Charlot of Mexico. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. Julius Cæsar (New York: LEC), 1939. The text of the First Folio edited and amended where obscure by Herbert Farjeon. Illustrated by Frans Masereel. #652/1950
(Series 11, No. 118¹⁵)
Spec Folio / PR 2754 / .F3 / v. 22
Colophon: "This edition of The Tragedie of Julius Cæsar is one of the thirty- seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are wood engravings by Frans Masereel of Belgium. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. King John (New York: LEC), 1940. The text of the First Folio edited and amended where obscure by Herbert Farjeon. Illustrated by Valenti Angelo. #652/1950
(Series 11, No. 118¹⁶)
Spec Folio / PR 2754 / .F3 / v. 33
Colophon: "This edition of The Life and Death of King John is one of the thirty- seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are from drawings by Valenti Angelo of U.S.A. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. King Lear (New York: LEC), 1939. The text of the First Folio, with Quarto insertions, edited and amended where obscure by Herbert Farjeon. Illustrated by Boardman Robinson. #652/1950
(Series 11, No. 118¹⁷)
Spec Folio / PR 2754 / .F3 / v. 2
Colophon: "This edition of The Tragedie of King Lear is one of the thirty-seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are drawings by Boardman Robinson of U.S.A. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. Love's Labour's Lost (New York: LEC), 1939. The text of the First Folio, with Quarto insertions, edited and amended where obscure by Herbert Farjeon. Illustrated by Mariette Lydis. #652/1950
(Series 11, No. 118¹⁸)
Spec Folio / PR 2754 / .F3 / v. 20
Colophon: "This edition of Love's Labour's Lost is one of the thirty-seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are from drawings by Mariette Lydis of France. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. Macbeth (New York: LEC), 1939. The text of the First Folio edited and amended where obscure by Herbert Farjeon. Illustrated by Gordon Craig. #652/1950
(Series 11, No. 118¹⁹)
Spec Folio / PR 2754 / .F3 / v. 21
Colophon: "This edition of The Tragedie of Macbeth is one of the thirty-seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are from drawings in color by Gordon Craig of England. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. Measure for Measure (New York: LEC), 1939. The text of the First Folio edited and amended where obscure by Herbert Farjeon. Illustrated by Hugo Steiner-Prag. #652/1950
(Series 11, No. 118²⁰)
Spec Folio / PR 2754 / .F3 / v. 23
Colophon: "This edition of Measure for Measure is one of the thirty-seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are lithographs in color by Hugo Steiner-Prag of Czechoslovakia. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. The Merchant of Venice (New York: LEC), 1939. The text of the First Folio, with Quarto insertions, edited and amended where obscure by Herbert Farjeon. Illustrated by René ben Sussan. #652/1950
(Series 11, No. 118²¹)
Spec Folio / PR 2754 / .F3 / v. 5
Colophon: "This edition of The Merchant of Venice is one of the thirty-seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are from water- colors by René ben Sussan of France. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. The Merry Wives of Windsor (New York: LEC), 1939. The text of the First Folio, with Quarto insertions, edited and amended where obscure by Herbert Farjeon. Illustrated by Gordon Ross. #652/1950
(Series 11, No. 11822)
Spec Folio / PR 2754 / .F3 / v. 6
Colophon: "This edition of The Merry Wives of Windsor is one of the thirty-seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are from drawings by Gordon Ross of U.S.A. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. A Midsummer- Night's Dream (New York: LEC), 1939. The text of the First Folio, with Quarto insertions, edited and amended where obscure by Herbert Farjeon. Illustrated by Arthur Rackham. #652/1950
(Series 11, No. 118²³)
Spec Folio / PR 2754 / .F3 / v. 4
Colophon: "This edition of A Midsummer Nights Dreame is one of the thirty-seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are from water- colors by Arthur Rackham of England. This edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. Much Ado About Nothing (New York: LEC), 1939. The text of the First Folio, with Quarto insertions edited and amended where obscure by Herbert Farjeon. Illustrated by Fritz Kredel. #652/1950
(Series 11, No. 118²⁴)
Spec Folio / PR 2754 / .F3 / v. 15
Colophon: "This edition of Much Adoe About Nothing is one of the thirty-seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are from drawings by Fritz Kredel of Germany. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. Othello (New York: LEC), 1939. The text of the First Folio, with Quarto insertions, edited and amended were obscure by Herbert Farjeon. Illustrated by Robert Gibbings. #652/1950
(Series 11, No. 11825)
Spec Folio / PR 2754 / .F3 / v. 11
Colophon: "This edition of The Tragedie of Othello, the Moore of Venice is one of the thirty-seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are wood engravings by Robert Gibbings of England. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. Pericles (New York: LEC), 1940. The text of the First Quarto, collated with the Second, Third and Fourth Quartos, edited and amended where obscure by Herbert Farjeon. Illustrated by Stanislas Ostoja-Chrostowski. #652/1950
(Series 11, No. 118²⁶)
Spec Folio / PR 2754 / .F3 / v. 32
Colophon: "This edition of The Play of Pericles Prince of Tyre is one of the thirty- seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are wood- engravings by Stanislas Ostoja-Chrostowski of Poland. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. Richard the Second (New York: LEC), 1940. The text of the First Folio, with Quarto insertions, edited and amended where obscure by Herbert Farjeon. Illustrated by Agnes Miller Parker. #652/1950
(Series 11, No. 118²⁷)
Spec Folio / PR 2754 / .F3 / .v. 37
Colophon: "This edition of The Life and Death of King Richard the Second is one of the thirty-seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are wood-engravings by Agnes Miller Parker of England. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. Richard the Third (New York: LEC), 1940. The text of the First Folio, with Quarto insertions, edited and amended where obscure by Herbert Farjeon. Illustrated by Fritz Eichenberg. #652/1950
(Series 11, No. 118²⁸)
Spec Folio / PR 2754 / .F3 / v. 28
Colophon: "This edition of The Tragedie of Richard the Third is one of the thirty- seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are lithographs by Fritz Eichenberg of U.S.A. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. Romeo and Juliet (New York: LEC), 1940. The text of the First Folio, with Quarto insertions, edited and amended where obscure by Herbert Farjeon. Illustrated by Ervine Metzl. #652/1950
(Series 11, No. 118²⁹)
Spec Folio / PR 2754 / .F3 / v. 24
Colophon: "This edition of The Tragedie of Romeo and Juliet is one of the thirty- seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are from drawings by Ervine Metzl of U.S.A. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. The Taming of the Shrew (New York: LEC), 1940. The text of the First Folio edited and amended where obscure by Herbert Farjeon. Illustrated by W. A. Dwiggins. #652/1950
(Series 11, No. 118³⁰)
Spec Folio / PR 2754 / .F3 / v. 29
Colophon: "This edition of The Taming of the Shrew is one of the thirty-seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are from drawings by W. A. Dwiggins of U.S.A. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. The Tempest (New York: LEC), 1940. The text of the First Folio edited and amended where obscure by Herbert Farjeon. Illustrated by Edward A. Wilson. #652/1950
(Series 11, No. 118³¹)
Spec Folio / PR 2754 / .F3 / v. 35
Colophon: "This edition of The Tempest is one of the thirty-seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are from water-colors by Edward A. Wilson of U.S.A. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. Timon of Athens (New York: LEC), 1940. The text of the First Folio edited and amended where obscure by Herbert Farjeon. Illustrated by George Buday. #652/1950
(Series 11, No. 118³²)
Spec Folio / PR 2754 / .F3 / v. 34
Colophon: "This edition of The Life of Tymon of Athens is one of the thirty-seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are wood- engravings by George Buday of Hungary. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. Titus Andronicus (New York: LEC), 1939. The text of the First Folio, with Quarto insertions, edited and amended where obscure by Herbert Farjeon. Illustrated by Nikolai Fyodorovitch Lapshin. #652/1950
(Series 11, No. 118³³)
Spec Folio / PR 2754 / .F3 / v. 13
Colophon: "This edition of The Lamentable Tragedie of Titus Andronicus is one of the thirty-seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are from water-colors by Nikolai Fyodorovitch Lapshin of U.S.S.R. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. Troilus and Cressida (New York: LEC), 1939. The text of the First Folio edited and amended where obscure by Herbert Farjeon. Illustrated by Demetrius Galanis. #652/1950
(Series 11, No. 118³⁴)
Spec Folio / PR 2754 / .F3 / v. 16
Colophon: "This edition of The Tragedie of Troylus and Cressida is one of the thirty-seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are wood-engravings by D. Galanis of Greece. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. Twelfth Night, or What You Will (New York: LEC), 1939. The text of the First Folio edited and amended where obscure by Herbert Farjeon. Illustrated by Francesco Carnevali. #652/1950
(Series 11, No. 118³⁵)
Spec Folio / PR 2754 / .F3 / v. 10
Colophon: "This edition of Twelfe Night, or What You Will is one of the thirty-seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are from water- colors by Francesco Carnevali of Italy. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. The Two Gentlemen of Verona (New York: LEC), 1939. The text of the First Folio edited and amended where obscure by Herbert Farjeon. Illustrated by Pierre Brissaud. #652/1950
(Series 11, No. 118³⁶)
Spec Folio / PR 2754 / .F3 / v. 12
Colophon: "This edition of The Two Gentlemen of Verona is one of the thirty-seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are from water- colors by Pierre Brissaud of France. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shakespeare, William. The Winter's Tale (New York: LEC), 1940. The text of the First Folio edited and amended where obscure by Herbert Farjeon. Illustrated by Albert Rutherston. #652/1950
Spec Folio / PR 2754 / .F3 / v. 14
(Series 11, No. 118³⁷)
Colophon: "This edition of The Winters Tale is one of the thirty-seven volumes of The Plays of William Shakespeare published for subscribers by The Limited Editions Club of New York. It was designed by Bruce Rogers and printed at the Press of A. Colish, New York. The illustrations are from hand-colored drawings by Albert Rutherston of England. The edition consists of nineteen hundred and fifty copies, of which this is number {652}"

Shaw, Bernard. Back to Methuselah: A Metabiological Pentateuch (New York: LEC), 1939. Preface by Bernard Shaw. Illustrated by John Farleigh. #1039/1500
(Series 10, No. 112)
Spec / PR 5363 / .B3 / 1939
Colophon: "The illustrations for this edition were engraved in wood by John Farleigh with the advice of Mr. Shaw. The edition was designed by Edward Alonzo Miller and printed at the Marchbanks Press in New York. Fifteen hundred copies were made for the members of The Limited Editions Club of which this is copy number {1039} and it is signed by the artist {John Farleigh}"

Shaw, George Bernard. Pygmalion [and] Candida (Avon, CT: LEC), 1974. Introduction by Alan Strachan. Illustrated by Clarke Hutton. #390/2000
(Series 42, No. 478)
Spec / PR 5363 / .P8 / 1974
Colophon: "This edition of 'Pygmalion' and 'Candida' numbering two thousand copies has been made for The Limited Editions Club at the Stinehour Press in Lunenburg, Vermont, from the typographic plan of John Dreyfus. The illustrations have been made by Clarke Hutton, who here signs {Clarke Hutton} this copy number {390}"

Shelley, Percy Bysshe. Prometheus Unbound. {See Æschylus, Prometheus Bound.}

Sheridan, Richard Brinsley. The Rivals: A Comedy (London: LEC), 1953. Introduction by John Mason Brown. Illustrated by René ben Sussan. #652/1500
(Series 22, No. 238)
Spec / PR 3682 / .R4 / 1953a
Colophon: "Of this edition of The Rivals fifteen hundred copies have been made for the members of The Limited Editions Club by Oliver Simon at The Curwen Press in London, the illustrations having been engraved in copper by René ben Sussan and both the pulls from the copperplates and the hand-colouring having been done under the artist's supervision in Paris. This copy is number {652} and it is signed by {Ben Sussan}"

Smollett, Tobias. The Adventures of Peregrine Pickle, in which is included Memoirs of a Lady of Quality (Oxford: LEC), 1936. 2 vols. Introduction by G. K. Chesterton. Illustrated by John Austen. #652/1500
(Series 7, No. 72)
Spec / PR 3694 / .A3 / 1936b / vol. 1-2
Colophon: "Of this edition of Peregrine Pickle fifteen hundred copies have been printed for The Limited Editions Club by John Johnson, printer to the University of Oxford. The illustrations have been made by John Austen and each book has been signed by the artist. This is No. {652} {John Austen}"

Spenser, Edmund. The Faerie Queene: Disposed into Twelve Bookes Fashioning XII Morall Vertues (Oxford: LEC), 1953. 2 vols. Introduction by John Hayward. Decorations by John Austen. Illustrated by Agnes Miller Parker. #652/1500
(Series 22, No. 234)
Spec / PR 2358 / .A3 / H3 / 1953 / vol. 1-2
Colophon: "The text of this edition of The Faerie Queene follows that edited by J. C. Smith for the Clarendon Press in 1909. This edition consists of fifteen hundred copies printed for the members of The Limited Editions Club by Charles Batey printer to the University of Oxford. The decorations for this edition were made by that fine English artist John Austen, before his death and the engravings in illustration of the text were then made by his friend Agnes Miller Parker. This is copy number {652} and it is signed by {A Miller Parker.}"

Stevenson, Robert Louis. The Beach of Falesá (Los Angeles: LEC), 1956. Introduction by J. C. Furnas. Illustrated by Millard Sheets. #238/1500
(Series 25, No. 271)
Spec Folio / PR 5484 / .B18 / 1956
Colophon: "This edition of The Beach of Falesá has been designed by Ward Ritchie and printed for the members of The Limited Editions Club by Anderson, Ritchie & Simon: The Ward Ritchie Press in Los Angeles. The illustrations were made by Millard Sheets. There are fifteen hundred copies, of which this is copy number 238 and it is here signed by the artist {Millard Sheets}"

Stevenson, Robert Louis. Travels with a Donkey in the Cévennes (New York: LEC), 1957. Prefaratory letter from Robert Louis Stevenson. Introduction by André Chamson. Illustrated by Roger Duvoisin. #103/1500
(Series 25, No. 277)
Spec / PR 5488 / .T8 / 1957
Colophon: "Of this edition of Stevenson's Travels with a Donkey fifteen hundred copies have been made for the members of The Limited Editions Club by Saul & Lillian Marks at The Plantin Press, Los Angeles. The illustrations were drawn as lithographs, on sheets of acetate, by Roger Duvoisin, and printed at The Plantin Press; and the colors were applied by hand, through stencils, in the studio of Walter Fischer in New York. This is copy number 103 and it is here signed by the illustrator {Roger Duvoisin}"

Suetonius. The Lives of the Twelve Caesars (Verona: LEC), 1963. Translated from the Latin by Philemon Holland. Revised and with an introduction by Moses Hadas. Illustrated by Salvatore Fiume. #103/1500
(Series 31, No. 347)
Spec / DG 277 / .S7 / H61 / c. 3
Colophon: "This edition of The Lives of the Twelve Caesars has been planned at the Officina Bodoni and printed in Verona at the Stamperia Valdonega by Giovanni Mardersteig, who here signs {G Mardersteig}. The illustrations have been painted in Brianza by Salvatore Fiume, who here signs {S. Fiume}. The edition consists of fifteen hundred copies made for the members of The Limited Editions Club, this being copy number {103}"

Tegnér, Esais. Frithiof's Saga (Stockholm: LEC), 1953. Translated by Henry Wadsworth Longfellow, Lucius Sherman, Thomas and Martha Holcomb, and William Lewery Blackley. Introduction by Bayard Taylor. Illustrated by Eric Palmquist. #652/1500
(Series 21, No. 232)
Spec / PT 9831 / .E5 / L65 / 1953
Colophon: "Of this edition of "Frithiof's Saga" fifteen hundred copies have been made, for the members of The Limited Editions Club, by the Royal Printing House, P. A. Norstedt & Söner, in Stockholm. The edition was designed by Karl-Erik Forsberg and the illustrations were drawn by Eric Palmquist, who here signs {E Palmquist} this copy, number 652"

Thackeray, William Makepeace. The History of Henry Esmond, Esq., a Colonel in the Service of Her Majesty Q. Anne (New York: LEC), 1956. Introduction by Laura Ben‚t. Illustrated by Edward Ardizzone. #1004/1500
(Series 24, No. 267)
Spec / PR 5612 / .A1 / 1956b
Colophon: "Fifteen hundred copies of this edition of The History of Henry Esmond have been printed for the members of The Limited Editions Club by the John B. Watkins Company in New York. The illustrations were drawn by Edward Ardizzone and colored by hand in the studio of Walter Fischer. This copy number 1004 and it is here signed by the illustrator {E. Ardizzoni}"

Thackeray, William Makepeace. The History of Pendennis: His Fortunes and Misfortunes, His Friends and His Greatest Enemy (Ipswich: LEC), 1961. 2 vols. Introduction by Robert Cantwell. Illustrated by Charles W. Stewart. #652/1500
(Series 29, No. 327)
Spec / PR 5616 / .A1 / 1961 / vol. 1-2
Colophon: "Fifteen hundred copies of this edition of The History of Pendennis have been made for the members of The Limited Editions Club from the typographic plan by John Le